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- Hungary
- story - The Song of Names is a movie starring Clive Owen, Tim Roth, and Jonah Hauer-King. Several years after his childhood friend, a violin prodigy, disappears on the eve of his first solo concert, an Englishman travels throughout Europe
- 189 vote
- 113m
- rating - 6,8 / 10 Stars
Nadie: Absolutamente nadie: Yo sintiéndome nostálgica y escuchando música de los 70's y ni soy de esos años :v.
El robo más grande de la historia es cuando los hombres le robaron tusa a las mujeres :v.
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Esto si es música!no es cómo la basura de ahora extraño a The beatles, Queen,Etc (toda la que pasaban antes.
Empecé primero con las baladas de oro y ahora esto, que placentero ❤️❤️❤️🔈🔉🔊.
Wen it out boy 2 can any one tell me.
Greetings again from the darkness. The title refers to a sacred Jewish ritual where the names of the Holocaust victims are recited in a musical style. It's a process that (sadly) covers a few days. In this film, it takes on a personal, as well as historical, significance. British cultural affairs expert Norman Lebrecht wrote the 2001 novel on which writer-director Francois Girard (THE RED VIOLIN, 1998, plus plays, operas and 2 Cirque de Soleil shows) and co-writer Jeffrey Caine based the film.
We open in 1951 London just minutes before the scheduled performance of young violin virtuoso Dovidl "David" Rapoport. He is to play Bruch and Bach in a concert sponsored by his "adoptive" father figure Gilbert Simmonds, who has sunk his entire life savings into producing the concert. Despite the assurances of Simmonds' son Martin, who has become like a brother to David, the featured performer is a no-show. leading Martin to search for him over the next 35 years.
The film covers the story from the time Dovidl's Polish-Jewish father (played by Jakub Kotynski) agrees to his leave 9 year old, a violin prodigy, with the non-Jewish Simmonds in an attempt to protect the boy from the German invasion of Poland in the late 1930's. As Dovidl and Martin grow together, their bond become stronger. Martin is present when Dovidl renounces Judaism, even as becomes more proficient with his instrument and more saddened by the Holocaust that he avoided in his home country.
Both boys are played at three different ages by three different actors. Dovidl is played by Luke Doyle at ages 9-13, Jonah Hauer-King at ages 17-23, and by Clive Owen in middle age. Martin is played by Misha Handley at ages 9-13, Gerran Howell at ages 17-23, and by Tim Roth in later life. The actors do a good job of capturing Martin's early irritation at Dovidl's arrogance, the shock of the no-show betrayal, and the later in life man who changed everything when he found out about his family, as well as the music teacher so desperate to find his long lost friend/brother.
The film bounces between the three timelines so that we have a full picture of the impact they have had on each other's lives, and how Dovidl's disappearing act was quite devastating. Much of the film centers on Martin tracking down leads and talking to folks for some idea of the path taken by Dovidl. Mr. Roth is especially effective (and surprisingly understated) in his performance as a man haunted by the unexplained actions of a loved one. His wife, played by Catherine McCormick, is simultaneously understanding, patient, and emotionally affected.
Stanley Townsend plays Martin's father. He cares for Dovidl as if her were a son, and provides what's necessary for the prodigy to develop and be groomed for performance. Three-time Oscar winner Howard Shore delivers a score that follows the good times and bad, not an easy task for a family drama within the shadow of the Holocaust. One specific sequence stands out, and it is filmed on the hallowed grounds of Treblinka - now a memorial, where the extermination camp once stood.
There are many facets to the story, and most involve heavy emotions. We see children bearing more than they should. Parents protecting their children in times of crisis. The difference between religion and ethnicity is discussed. Broken trust proves especially damaging. Dovidl's disappearing act could be compared to that of JD Salinger, in that he seemingly disappeared for years. And maybe most of all, the idea of survivor's guilt is a theme, as Dovidl explains, You don't have to be guilty to feel guilty." The film may have some pacing issues, but it affords such a wealth of conversation topics, that any flaws are easily forgiven.
Tete cada vez es más brutal! 💀❤. En 2018, escuchandolo. Muy bello gesto del padre, sin saber q no estaria. Llore. La canci c3 b3n de los nombres olvidados karaoke. La canci c3 b3n de los nombres olvidados lyrics.
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Im seriusly, my mom starts dancinh cause she danced when she was young at the disco. (sorry for the english im italian) 😂 😂 😂 😂.
We use to sing this a lot.
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Soy un feto y me encanta esta música, tuve que haber nacido en la inquisición :D
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Como el director de peliculas tan exitosas como el discurso del rey o miserables se le ocurrio que esto seria una buena idea.
Apparently there were no women, all Jews are also men.
I normally like movies with music duels, and still falls very short. none of the characters make connection with the audience, they're motivation is useless and no real plot.
Pensaba que lo habia visto todo en la vida xD.
Quien en el 2018😀😀.
Powerful love it praise God.
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11:58 arigamepleys.
El error esta en llevar algo de Broadway a Hollywood que es el basurero del entretenimiento.
Vengo del futuro y en cualquier parte de mi vida escuche esta joya.
Woow,dios se olvido de mi pero esta banda no muchas gracias,que letra que voz.
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Sempre quis encontrar essa música, sempre escutei em Todo mundo odeia o Cris.
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